Object and the Evolution of Meaning in the Socio-Cultural Structures of Fashion A semiotic Study of Parviz Tanavoli’s Wearable Jewelry

Document Type : Research Paper

Authors

1 Iran

2 University of Paris-Cite, Paris, France

Abstract

One of the subjects examined in semiotics is the system of fashion and its mode of meaning-making within various cultural and social contexts. Relying on the theoretical findings of semiotics, we have attempted to focus on a particular type of fashion called wearable jewelry. Many artists have engaged in jewelry design at some point in their lives, and their works have served as a foundation for many fashion designers. One notable example is Parviz Tanavoli, who turned to artistic jewelry during his artistic career. In this essay, we aim to answer the question: What is the relationship between Tanavoli’s wearable jewelry and fashion? And how do these pieces create a distinct lifestyle? Our goal is to demonstrate how the meaning of an object evolves within the fashion system and how lifestyle changes accordingly. To address these questions, we employed a semiotic approach, which is a modern method for analyzing both verbal and nonverbal languages. Our analysis led to the conclusion that Tanavoli’s jewelry has transformed from an artistic object to a functional object, and finally into a cultural object, thereby creating a unique artistic lifestyle.

Keywords

Main Subjects


 
 Athari Nikazm, Marzieh, Ahmadi, Sohrab (2023). Enunciation in process; Case study: Mohsen Vaziri Moqaddam’s sculptures, dynamic art objects. Pazhuheshnameh-ye Farhangestan-e Honar (Research Journal of Iranian Academy of Arts), 2(6), 27-39. [In Persian]
 Athari Nikazm, Marzieh, Ahmadi, Sohrab (2024). The scope of culture in Parviz Tanavoli’s hand-woven works from real space to metaphorical space. Honar va Adabiyat-e Tatbiqi (Comparative Art and Literature), 2(2), 1-25. [In Persian]
 Bakhtiari, Ali (2018). Neshan: Iranian Graphic Design Magazine, 43. http://neshanmagazine.com/Article.aspx?l=1&Id=149 [In Persian]
 Barthes, Roland (1967). The fashion system. Paris : Seuil.
 Eco, Umberto (1988). The Sign. Paris : LGF.
 Fontanille, Jacques (1998). Semiotics of discourse. Limoges : PULIM.
 Fontanille, Jacques (2011). Body and Meaning. Paris : PUF.
 Greimas, Algirdas Julien, Courtés, Joseph (1979). Semiotics and language: An analytical Dictionary. Paris : Hachette.
 Greimas, Algirdas Julien (2018). Fashion in 1830. Language and society: Youthful writings. Paris: PUF.
 Landowski, Eric (2004). Passions without Name. Paris: PUF.
 Paz Gago, José Maria (2016). The eighth art: Fashion. Spain : Hércules De Ediciones.
 Perusset, A. (2019). From forms of life to lifestyles and vice versa. Actes Sémiotiques, (122). https://doi.org/10.25965/as.6288
 Zinna, Alexandre. (2005). The object and its interfaces. Actes Sémiotiques, (Special Issue). Limoges : PULIM.
 Le Mur. (n.d.). Contemporary jewelry. https://www.le-mur.fr/en/actua/le-bijou-contemporain/
https://www.larousse.fr/dictionnaires/francais/style/74959#:~:text=Qualit%C3%A9%20de%20quelque%20chose%20ou,Maison%20qui%20a%20du%20style.&text=6.,Le%20style%20d'un%20nageur.