Athari Nikazm, Marzieh, Ahmadi, Sohrab (2023). Enunciation in process; Case study: Mohsen Vaziri Moqaddam’s sculptures, dynamic art objects. Pazhuheshnameh-ye Farhangestan-e Honar (Research Journal of Iranian Academy of Arts), 2(6), 27-39. [In Persian]
Athari Nikazm, Marzieh, Ahmadi, Sohrab (2024). The scope of culture in Parviz Tanavoli’s hand-woven works from real space to metaphorical space. Honar va Adabiyat-e Tatbiqi (Comparative Art and Literature), 2(2), 1-25. [In Persian]
Barthes, Roland (1967). The fashion system. Paris : Seuil.
Eco, Umberto (1988). The Sign. Paris : LGF.
Fontanille, Jacques (1998). Semiotics of discourse. Limoges : PULIM.
Fontanille, Jacques (2011). Body and Meaning. Paris : PUF.
Greimas, Algirdas Julien, Courtés, Joseph (1979). Semiotics and language: An analytical Dictionary. Paris : Hachette.
Greimas, Algirdas Julien (2018). Fashion in 1830. Language and society: Youthful writings. Paris: PUF.
Landowski, Eric (2004). Passions without Name. Paris: PUF.
Paz Gago, José Maria (2016). The eighth art: Fashion. Spain : Hércules De Ediciones.
Zinna, Alexandre. (2005). The object and its interfaces. Actes Sémiotiques, (Special Issue). Limoges : PULIM.
https://www.larousse.fr/dictionnaires/francais/style/74959#:~:text=Qualit%C3%A9%20de%20quelque%20chose%20ou,Maison%20qui%20a%20du%20style.&text=6.,Le%20style%20d'un%20nageur.
)